Ultimately, when attempting to determine the degree of accuracy of “I Love You, Now Die,” one runs into the same problem that the prosecution, the defense, the trial judge, the family members of the victim, the family members of the defendant, the documentary makers, and the public in general ran into. That is, that a record of text messages can only, by its nature, reveal a portion of the truth. Even an exchange as simple as “can u pick up milk?” and “yeah, sure,” isn’t an actual record of a given moment in time, and can do little to reveal the mindset of the persons involved. Maybe the milk requester is trying to keep the errand-runner out of the house for a few minutes longer while they either plan a surprise party or dispose of a body. Maybe the recipient of the text is exhausted after a long day of work and having a last-minute errand put on them is enough to send them over the edge. From the text exchange itself, one can’t possibly know.
In terms of what we can know, or at least observe in the form of real-time, live-action recordings and documentation — e.g, the conflicted emotions of the victim’s family, the legal narrative, presentation, and consequences of the case, the story as told by the media, and the general reaction and mindset of nearly everyone but Michelle and Conrad — “I Love You, Now Die” covers as many bases as possible. In doing so, it gives viewers an accurate depiction of the events following (as opposed to immediately proceeding) Conrad Roy III’s suicide, and the trial of Michelle Carter (by the media, the public, and the court) that followed.