The Untold Truth Of David Duchovny

David Duchovny has had success in a lot of fields, but his feature film directorial debut, “House of D,” was an unfortunate flop. Critics almost universally panned it — the film has an abysmal 10% approval score on Rotten Tomatoes — and while audiences were a little friendlier to the sentimental coming-of-age drama, they weren’t exactly turning out in droves. According to The Numbers, the movie only made back $466,106 of its $2 million budget.

“House of D” had some good ingredients, most notably its cast and a solid premise about an artist revisiting his memories of life and young love in 1970s Greenwich Village. So why did it flounder? In a word — tone. The film simply gets too cloying, especially in its cringeworthy and stereotypical handling of elements like Robin Williams’ intellectually disabled character. Roger Ebert, forced to sum it up, revisited notes he’d made in the theater, writing, “Peering now at my 3×5 cards, I read sappy, inane, cornball, shameless and, my favorite, doofusoid. I sigh. The film has not even inspired interesting adjectives, except for the one I made up myself.”

Luckily, Duchovny’s directing spots on “The X-Files” and “Californication” came out better, so there’s still a chance for him to develop his chops and try again.

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